It's a dramatically haunting, impressionistic, talky piece that could serve as an opening to an ominous musical, with lyrics like 'The writing on the wall wasn't writing at all/Just forces of nature in love with a weather station,' and later 'You can follow a rose wherever it grows/Oh, you could fall in love with Times Square.' Traces of 's sophisti-pop linger in the horns, piano, and delicate, extended guitar chords of 'The River,' on the tender 'Solace's Bride,' and on the sultry, jazzy 'Archer on the Beach,' but stands alone thus far in 's catalog. The string ensemble arrangements on the sparse opener, 'Times Square, Poison Season I,' proclaim yet another change in texture between albums for. At nearly an hour in length, it feels immense, but more so from its unexpectedly cinematic stylings than from playing time - with rotating, scene-setting arrangements (rock, jazz, chamber music) and beat-poetic narrative vignettes of a gritty reality seemingly from another time, or another mind. The first full-length release since 2011's charting - with the -penned EP, and his bands and ' and WZO, respectively, dropping in the interim - 2015's marks prolific songsmith 's tenth LP with the project, and it's an intensely wistful, strings- and horns-washed epic exploration of New York city life. What makes Poison Season a great album, though, is that it doesnвЂ™t completely wallow in BejarвЂ™s newfound smoking-jacket-and-fine-brandy sophistication-as opposed to the tattered-plaid-shirt-and-fifth-of-Jack wildness of early Destroyer. Find Destroyer discography, albums and singles on AllMusic. The first full-length Destroyer release since 2011's charting Kaputt- with the Antonio Luque-penned Five Spanish Songs EP, and his bands the New Pornographers and Hello, Blue Roses' Brill Bruisers and WZO, respectively, dropping in the interim - 2015's Poison Season marks prolific songsmith Dan Bejar's tenth LP with the project, and it's an.

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